Well, the muse still alludes me but I haven't been idle.  I took last weekend and reworked my orchid arbor.  Many of you know I am an avid gardner as well which is my other stress reliever:) So rather than brood over the inability to tap something worthy into my laptop, I began my Saturday at Home Depo and purchased my needs to begin my much needed arbor refurbish project.  I'd moved many of the plants out the week before and cleaned up the area so it would be easier to work within the space off my patio. 

I replaced the dilapidated bamboo reed fencing, cleaned plants of dead roots and leaves, etc., repotted them with new orchid media, and moved onto placing them neatly into the arbor.  Finished off with cypress mulch and my statuary and ornamentation and voila! my beautiful and peaceful escape is complete.

I love to sit on my patio and gaze at the arbor and my spacious backyard.  It is so relaxing.  The birdsong, the fresh air, blue skies, all that green!

Check out the do over:

Please welcome Donna Sundblad, Author of Fantasy and Nonfiction Craft Writing

The Why Behind Setting
By Donna Sundblad

Whether you write romance, mystery, fantasy, science fiction or a sub genre, all fiction requires a believable setting. I tend to write character driven fantasy and learning to establish the setting has been an adventure in creativity. In fact, it's the reason behind my creative writing book Pumping Your Muse. In it, I developed a series of exercises that spurred me to consider aspects of a secondary world that may otherwise be overlooked.

Establishing anchors from the real world to your fictional world is key to making your setting believable, whether it is vastly different from reality or just a little different. An anchor is an element readers can relate to that links the real world to your secondary reality. In Beyond the Fifth Gate I established a rural, pre-industrial setting where the people were divided over issues of faith. Amid the setting we learn about family ties, ancient prophecies, divided leadership, a simple life that is ripped apart when a large insectoid race invades and conquers. Young people are taken captive and carried off in a cage on the back of a cart. The anchor—family relationships torn apart; freedoms stripped; it creates a need that transcends from reality to fantasy. This is an emotional anchor. Humans lose their freedom and fight to get it back and the quest is on.

Geographically, the Beyond the Fifth Gate setting challenged me times five. The original setting is the pre-industrial world invaded by a sentient insectoid race. The quest requires the protagonist, Elita, to travel through five mystical gates to free her people. Each gate leads to a different world and Elita has to accomplish her quest during a planetary alignment. She has one week. If she doesn't make it, she'll be trapped in a strange world between gates--for the next 50 years.

In this story, not only did I have to provide anchors from this reality to the fictional reality, but additional anchors were needed to tie one fictional world to the next as the main character traveled through the gates. The setting put parameters in place for the quest. Planets line up in dawn's light and mark the beginning of the quest for freedom. Planets are something we can relate to on this side of reality, and these planets act as an anchor from one world to the next. As they fall out of alignment, they work like the sands in an hourglass to let the reader know time is running out. This aspect of setting is used to add tension, conflict, and keep it clear in the readers' minds that the five worlds are linked.

For readers to accept the stranger aspects of a secondary world you must establish believable physics--the science of matter and energy and their interactions. If something works differently than the real world, you have to make the science or magic clear—not only that it does happen but how it happens. It has to work in the reader's mind. For example, the powers of Kamali are established early on in Beyond the Fifth Gate. When Kamali is present physics change. The star beats brighter and brighter…the floor thrums and…well I better not say too much because I wouldn't want to be a spoiler. Readers know that this deity plays an instrumental part in the opening of the gates and that the gates do lead to other worlds. But they also grow to understand that each portal works differently. Setting continues to play an important role, too, when Elita must bring something along with her from each world if she hopes to defeat the isectoids.

Along with physics, other specifics readers relate to in regards to setting include things like:

*Government
*Legal systems
*Economy
*Religion

As you develop these aspects of your world stop and ask yourself "why". Why is this government in place? Why do the people react to it the way they do? When the insectoid race takes over Elita's world, they are the new government. The opening scene establishes not only the world's setting but the "why" behind the reason humans don't honor the government. Lines are drawn, readers take sides and they learn to watch for the light to appear in the eastern foothills. Effective setting works with the characters to move the story forward and answers the question why.


About Donna

Author and full-time freelance writer, Donna Sundblad, resides in Georgia with her husband, Rick, and a flock of pets including five cockatiels and her Blue-front Amazon, Neelix. Her books Pumping Your Muse (2005) and Windwalker (2006) are available in paper and ebook formats through Amazon and Fictonwise. Her most recent fantasy novel Beyond the Fifth Gate was released in September of 2008 and is also available in both formats.

Donna enjoys life as a wife, mother, and grandmother. She's the eldest of seven and the great-great granddaughter of a Native American named Little Beetle. Little Beetle's people were a blend of Chippewa and Mingo and lived in West Virginia. She decided to leave her culture and took on the name Ida M. Biddle. When she married a white fur trader named Marshall Prickett, their joining was not accepted by either culture, but they forged a new life together.

Donna's love of family, belief in God, interest in her Native American heritage and her love of fantasy and science fiction all influence her writing. In 2006, Donna left her day job as a vacation rental reservationist on a small island in Florida to pursue writing full time. Her freelancing credits span fiction and non-fiction short stories as well as good old days, inspirational, and how-tos for writers.


You can find Donna at these links:

Book Hookup
Anthology News and Reviews
Pumping Your Muse Prompts
Pumping Your Muse Fantasy Writer

Updates and some thoughts on POV...

Bestial Cravings has dropped to #2 on the main Best Sellers List at TWRP as of yesterday, but hey! that's still good:)

The weather here is getting hot and humid. Dark Goddess that I am, I prefer the dreary, thundery, rainy weather *grin* And, of course, the Florida winter. This time of year we tend to stay in the old AC like the Northerners stay in during their cold months.

I've been pondering, plotting, and jotting ideas and events down for Book Two of the Roma Wolf Tales series. And for those who've read Curse of the Marhime , you know the book is in third person with only one POV character. The next book will be in multiple POV not really sure how many POVs but no more than four or five. I am really only considering three main this time around but we'll see how it goes:) I began the series this way because Pita was the main character as well, the catalyst for the story, and I wanted to challenge myself to keep at it. It was a test of wills to keep Niko's POV out of it, so for me as a writer, it was both a test and an exercise.

I am not a fan of many POVs in my writing. Nor do I like to read books with more than a handful of POV characters. I feel it confuses and convolutes the main characters who, in my humble opinion, are the most important. Also, as a reader it annoys me when I have to keep track of too many characters. So I guess we can say I write within the parameters I like to read.

In my experience, the editors I've worked with have been of the same mindset. Some are stricter than others but most prefer limited POV characters and headhopping within the story. Headhopping, as most know, is when the POV jumps back and forth between characters sentence to sentence or paragraph to paragraph. This is a strick no-no in my experience but there are bestselling authors that get away with it. They've earned the privilege, but us newbies need to stick to the basic rules, LOL.

I stick to one or two POVs per scene. If I do go into two POVs, I will transition as smoothly as possible from one to the other and split the scene between the two characters.

For a fast-paced scene, such as in a highly charged action scenes that are all happening at the same time with different characters, I've seen a spiraling POV used which does jump multiple POVs to anty up the fast pace. I've used it and read it in many action suspense-type books, and it really is an interesting concept. But again, I want to mention it still does not jump POV sentence to sentence or even paragraph to paragraph.

Whoa! Sorry...

I think I've gone a bit overboard and turned this into a discussion so I will move on with some more updates and then slink off to get some work done now.


Other things in the works are a newsletter I am working on putting together with all sorts of shares and information. As you may have noticed, I've set up a new Yahoo group as a venue to sign up for the newletter and share lots of other information such as new releases, events, guests announcements, recipes, craft articles, pictures, etc. Please take a moment to sign up. The loop is informational only. No need to worry about posting and keeping up with yet another loop:)

Look to the sidebar as well for upcoming guest bloggers. Next up is Donna Sundblad, author of Pumping Your Muse, a nonfiction, craft writing book used in current writing classes.

As always, thanks for dropping by.

Dayana~