Friday, June 19, 2009
Please welcome Donna Sundblad, Author of Fantasy and Nonfiction Craft Writing
The Why Behind Setting
By Donna Sundblad
Whether you write romance, mystery, fantasy, science fiction or a sub genre, all fiction requires a believable setting. I tend to write character driven fantasy and learning to establish the setting has been an adventure in creativity. In fact, it's the reason behind my creative writing book Pumping Your Muse. In it, I developed a series of exercises that spurred me to consider aspects of a secondary world that may otherwise be overlooked.
Establishing anchors from the real world to your fictional world is key to making your setting believable, whether it is vastly different from reality or just a little different. An anchor is an element readers can relate to that links the real world to your secondary reality. In Beyond the Fifth Gate I established a rural, pre-industrial setting where the people were divided over issues of faith. Amid the setting we learn about family ties, ancient prophecies, divided leadership, a simple life that is ripped apart when a large insectoid race invades and conquers. Young people are taken captive and carried off in a cage on the back of a cart. The anchor—family relationships torn apart; freedoms stripped; it creates a need that transcends from reality to fantasy. This is an emotional anchor. Humans lose their freedom and fight to get it back and the quest is on.
Geographically, the Beyond the Fifth Gate setting challenged me times five. The original setting is the pre-industrial world invaded by a sentient insectoid race. The quest requires the protagonist, Elita, to travel through five mystical gates to free her people. Each gate leads to a different world and Elita has to accomplish her quest during a planetary alignment. She has one week. If she doesn't make it, she'll be trapped in a strange world between gates--for the next 50 years.
In this story, not only did I have to provide anchors from this reality to the fictional reality, but additional anchors were needed to tie one fictional world to the next as the main character traveled through the gates. The setting put parameters in place for the quest. Planets line up in dawn's light and mark the beginning of the quest for freedom. Planets are something we can relate to on this side of reality, and these planets act as an anchor from one world to the next. As they fall out of alignment, they work like the sands in an hourglass to let the reader know time is running out. This aspect of setting is used to add tension, conflict, and keep it clear in the readers' minds that the five worlds are linked.
For readers to accept the stranger aspects of a secondary world you must establish believable physics--the science of matter and energy and their interactions. If something works differently than the real world, you have to make the science or magic clear—not only that it does happen but how it happens. It has to work in the reader's mind. For example, the powers of Kamali are established early on in Beyond the Fifth Gate. When Kamali is present physics change. The star beats brighter and brighter…the floor thrums and…well I better not say too much because I wouldn't want to be a spoiler. Readers know that this deity plays an instrumental part in the opening of the gates and that the gates do lead to other worlds. But they also grow to understand that each portal works differently. Setting continues to play an important role, too, when Elita must bring something along with her from each world if she hopes to defeat the isectoids.
Along with physics, other specifics readers relate to in regards to setting include things like:
*Government
*Legal systems
*Economy
*Religion
As you develop these aspects of your world stop and ask yourself "why". Why is this government in place? Why do the people react to it the way they do? When the insectoid race takes over Elita's world, they are the new government. The opening scene establishes not only the world's setting but the "why" behind the reason humans don't honor the government. Lines are drawn, readers take sides and they learn to watch for the light to appear in the eastern foothills. Effective setting works with the characters to move the story forward and answers the question why.
About Donna
Author and full-time freelance writer, Donna Sundblad, resides in Georgia with her husband, Rick, and a flock of pets including five cockatiels and her Blue-front Amazon, Neelix. Her books Pumping Your Muse (2005) and Windwalker (2006) are available in paper and ebook formats through Amazon and Fictonwise. Her most recent fantasy novel Beyond the Fifth Gate was released in September of 2008 and is also available in both formats.
Donna enjoys life as a wife, mother, and grandmother. She's the eldest of seven and the great-great granddaughter of a Native American named Little Beetle. Little Beetle's people were a blend of Chippewa and Mingo and lived in West Virginia. She decided to leave her culture and took on the name Ida M. Biddle. When she married a white fur trader named Marshall Prickett, their joining was not accepted by either culture, but they forged a new life together.
Donna's love of family, belief in God, interest in her Native American heritage and her love of fantasy and science fiction all influence her writing. In 2006, Donna left her day job as a vacation rental reservationist on a small island in Florida to pursue writing full time. Her freelancing credits span fiction and non-fiction short stories as well as good old days, inspirational, and how-tos for writers.
You can find Donna at these links:
Book Hookup
Anthology News and Reviews
Pumping Your Muse Prompts
Pumping Your Muse Fantasy Writer
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Thanks for having me here, today. Look forward to hanging out.
ReplyDeleteDonna
I am privileged to have you here, Donna. Thank you for joining us. Now lets have some fun:)
ReplyDeleteDayana~
Hi, Donna and Dayana.
ReplyDeleteWhat a fascinating post. I wouldn't have the guts to try creating such a complex world, but it sounds fabulous! With all the detail required, I can see why you would need a set of exercises just to keep your story world straight. The concept of anchors is particularly intriguing to me... a huge help, actually, with a story I'm working on right now. Thanks!
Very interesting. I never really thought about establishing familiar anchors for a fantasy/sci-fi world (because I write historical romance) but now that I ponder it, that's so true. And I do it too in my writing, without realizing it. I enjoyed your post and your story is most unusual, sounds like an excellent read.
ReplyDeleteSuch wonderful advice, Donna. Thanks for having her on your blog, Dayana. It all comes down to 'making it believable.' Even if you aren't creating a whole new world. I might need to print this out for future referance.
ReplyDeleteHi Barbara,
ReplyDeleteGlad you found it helpful. I love the way rubbing elbows with other readers helps us glean new insights to help us through the creative process!
Donna
Hi Beth,
ReplyDeleteNo matter what fictional world we create...we need anchors for our readers to have a tangible point where they feel at home.
Donna
Hi Catherine,
ReplyDeletePrint it out! What a wonderful complement. Thank you.
Donna
I note a lot of my friend's names here, Dayana. Great blog you have.
ReplyDeleteGreat to see you here, Yvonne. It is a great blog to visit regularly.
ReplyDeleteDonna
Hi Donna, what a great post! I have to admit, I've always found world building to be a bit daunting, and I've never tried it. I admire those, like you, who can do it and make it believable. Maybe I'll give it a shot some day -- I sure love reading what others come up with ;).
ReplyDeleteHelen
Whoa! Just got in from the day job. Wow! I see Donna has been busy:)
ReplyDeleteI have to apologize, Donna. I noticed somehow the blog posted your article twice. So sorry:( You know its never the computer handler who errs but always the computer *grin*
Thank you everyone for not mentioning the very obvious faux pas, LOL
Donna's post is amazing, isn't it? I agree that this concept could be considered and used in any setting. I am big on trying to place the reader in my stories whether through setting, senses, and imagery. Donna's article takes this all a step further.
Donna is a good and long-time friend of mine and I hope she will join us again sometime in the near future. If you haven't read Pumping Your Muse it is wonderful and very informative. And all of you who expressed thanks for Donna's visit--you are very welcome!
Yvonne, thank you for dropping in and I hope you visit with me again and often:)
Donna, thank you for such a wonderful plug.
Best,
Dayana~
Excellent post, Donna. I need to print it, too. That will help with my current book and when I do more editing of other books. Good choice, Dayana!
ReplyDeleteHi Donna. You gave me some great things to think about. Thanks for sharing these insights. Thanks, Dayana, for having her here. Wow!Whether fiction or fantasy, every anchor just makes it all the more relative to what we all feel.
ReplyDeleteMary and Mickey. Thank you for dropping by. Isn't Donna amazing?
ReplyDeleteD~
Helen H.!
ReplyDeleteWhat a nice surprise to see you here. It's been years! Thanks for stopping by and reading my guest post.
Hope you're still writing poetry.
Donna
Dayana, it was great fun to stop by here as your guest. I'd love to do it again in the future.
ReplyDeleteDonna
Hi Mary,
ReplyDeleteThank you for letting me know you find the article helpful in a practical way. That's was my goal.
Donna
Hi M. Flagg,
ReplyDeleteYou're welcome, and thank you for taking the time to say you enjoyed it.
Donna
Great article Donna. It goes along with my favorite writing subject, Worldbuilding. As you said, it doesn't matter what genre you write in you still need a belivable setting, even if you are writing something contempory from your home town.
ReplyDeleteJoan McNulty Pulver
Hi Joan,
ReplyDeleteGreat to see you here. Are you going to be teaching one of your World Building Classes any time soon.
Donna